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Grammar nerds and languages lovers gather for a sold-out documentary at the Bryn Mawr Film Institute

The movie follows language expert Ellen Jovin as she takes her makeshift “Grammar Table” on an exhilarating journey across the U.S.

Moviegoers prepare for a screening of grammar documentary "Rebel with a Clause" at the Bryn Mawr Film Institute on Jan. 24, 2026.
Moviegoers prepare for a screening of grammar documentary "Rebel with a Clause" at the Bryn Mawr Film Institute on Jan. 24, 2026.Read moreDenali Sagner

Despite frigid temperatures and the specter of the Philly area’s largest snowstorm in years, hundreds of language lovers and grammar nerds gathered in Bryn Mawr on Saturday for a screening of Rebel with a Clause, the hottest “road trip, grammar docu-comedy” on the indie movie circuit.

Rebel with a Clause follows language expert Ellen Jovin as she takes her makeshift “Grammar Table” on a journey across the United States, from Bozeman, Mont. to New York City (and everywhere in between). From behind the “Grammar Table,” Jovin asks strangers to divulge their questions, comments, and concerns about the English language, from when it’s best to use a semicolon to how to properly punctuate “y’all.” What starts as an amusing grammar refresher turns into a moving text on Americans’ shared humanity, even in polarizing times.

Jovin, the movie’s star, has written four books on writing and grammar, including Rebel with a Clause: Tales and Tips from a Roving Grammarian, a reflection on her cross-country tour. The movie was directed and produced by Brandt Johnson, a writer and filmmaker who also happens to be Jovin’s husband.

Jovin and Johnson, who are based in New York, are on a second cross-country tour as the Rebel with a Clause movie graces audiences. The Bryn Mawr screening marked the film’s first public showing in the Philly area.

As he handed out optional grammar quizzes and grammar-themed chocolates in the Bryn Mawr Film Institute’s foyer, Johnson said the response to the movie has been “extraordinary.”

“Ellen’s grammar table that she started in 2018 was about grammar, for sure, but it turned out to be as much about human connection,” Johnson said.

“Just as a life experience, oh my gosh,” he added. “It’s been something that I certainly didn’t anticipate.”

Before the screening, attendees waited for their turn at the “Grammar Table,” where Jovin was signing books and answering pressing questions about commas and ellipses.

Mary Alice Cullinan, 76, said she and her friends are fascinated by grammar and how it seems to be losing ground among younger generations.

Cullinan, who lives in Blue Bell, spent her career working in the restaurant industry but always read and wrote on the side.

“I read to live,” she added.

The Bryn Mawr Film Institute was packed with retired teachers, avid writers, and grammar aficionados who came armed with gripes about commas, parentheses, and quotation marks. At five minutes to showtime, an employee plastered a “SOLD OUT!” sign on the box office window.

Jen Tolnay, 63, a copy editor from Phoenixville, heard about the movie at an editors’ conference. She was so excited that she moved a haircut appointment to be there.

The 86-minute film provoked regular laughter in the audience (and a line about Philadelphians’ pronunciation of the wet substance that comes out of the sink got a particularly hearty laugh).

During a post-screening question-and-answer session, moviegoers complained about the poor grammar of sportscasters, praised Jovin and Johnson, and inquired about the colorful interactions Jovin had at the “Grammar Table.”

For Katie McGlade, 69, grammar is an art form.

The retired communications professional from Ardmore described herself as a habitual grammar corrector who would often fight with her editors about proper language usage. Now, as an artist, she makes colorful prints that center the adverb.

“I love that’s she’s bringing joy to the word,” McGlade said of Jovin. ”We need joy and laughter, and we need to communicate with each other.”

This suburban content is produced with support from the Leslie Miller and Richard Worley Foundation and The Lenfest Institute for Journalism. Editorial content is created independently of the project donors. Gifts to support The Inquirer’s high-impact journalism can be made at inquirer.com/donate. A list of Lenfest Institute donors can be found at lenfestinstitute.org/supporters.