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Jury finds that Ticketmaster and Live Nation had a monopoly over big concert venues

The federal case brought by dozens of U.S. states accused Live Nation and its Ticketmaster subsidiary of using their reach to smother competition and drive up prices.

Michael Rapino, chief executive officer of Live Nation Entertainment Inc., arrives at Manhattan Federal court, Thursday, March 19, 2026, in New York.
Michael Rapino, chief executive officer of Live Nation Entertainment Inc., arrives at Manhattan Federal court, Thursday, March 19, 2026, in New York. Read moreAdam Gray / AP

NEW YORK — A jury has found that concert giant Live Nation and its Ticketmaster subsidiary had a harmful monopoly over big concert venues, dealing the company a loss in a lawsuit over claims brought by dozens of U.S. states.

A Manhattan federal jury deliberated for four days before reaching its decision Wednesday in the closely watched case, which gave fans the equivalent of a backstage pass to a business that dominates live entertainment in the U.S. and beyond.

At the end of the proceeding, the judge told lawyers on both sides to meet with one another “and the United States” to provide a joint letter proposing a schedule for motions and how the remedies phase of the case would occur. He told them to deliver it by late next week.

Live Nation Entertainment owns, operates, controls booking for, or has an equity interest in hundreds of venues. Its subsidiary Ticketmaster is widely considered to be the world’s largest ticket seller for live events. Its lawyers did not immediately comment as they left the courthouse, but said a statement would be issued shortly.

The civil case, initially led by the U.S. federal government, accused Live Nation of using its reach to smother competition — by blocking venues from using multiple ticket sellers, for example.

“It is time to hold them accountable,” Jeffrey Kessler, an attorney for the states, said in a closing argument, calling Live Nation a “monopolistic bully” that drove up prices for ticket buyers.

Live Nation insisted it’s not a monopoly, saying that artists, sports teams, and venues decide prices and ticketing practices. A company lawyer insisted its size was simply a function of excellence and effort.

“Success is not against the antitrust laws in the United States,” attorney David Marriott said in his summation.

The antitrust lawsuit was backed by attorneys general in 34 states — including Pennsylvania, where the ticketing giant operates a handful of venues.

Attorney General Dave Sunday backed the Live Nation litigation since taking office in 2025, saying it violated antitrust laws and vowing to “restore competition to the entertainment marketplace.”

The Republican official’s support for the suit continued despite the Trump administration’s settlement with Live Nation earlier this year.

In a statement on Wednesday, Sunday called the verdict a “huge win for consumers.”

”[A] jury has agreed with our position that these two mega companies have essentially had a stranglehold on a multi-billion-dollar industry that limited Pennsylvanians’ options for enjoying their favorite artists,” Sunday said.

“I am proud that our office has been part of a bipartisan coalition that continued this case under extraordinary circumstances and took it to a jury.”

New Jersey Attorney General Jennifer Davenport noted in a statement that the case against Live Nation “confirms what we have said since the start of our case: For far too long, Live Nation has illegally profited from its monopoly at the expense of hardworking New Jerseyans. Live Nation’s illegal, anti-competitive practices have caused immense damage in our state, exploiting consumers by driving up the price of tickets and making it harder for fans to see their favorite artists.”

Davenport added that her office is working “in close partnership with a bipartisan group of state attorneys general, will continue to do everything in our power to ensure that Live Nation cannot continue to harm consumers, artists, and venues.”

Ticketmaster was established in 1976 and merged with Live Nation in 2010. The company now controls of 86% of the market for concerts and 73% of the overall market when sports events are included, according to Kessler.

Ticketmaster has long drawn ire from fans and some artists. Grunge rock titans Pearl Jam battled the business in the 1990s, even filing an anti-monopoly complaint with the U.S. Department of Justice, which declined to bring a case then.

Decades later, the Justice Department, joined by dozens of states, brought the current lawsuit during Democratic former President Joe Biden’s administration. Days into the trial, Republican President Donald Trump’s administration announced it was settling its claims against Live Nation.

The deal included a cap on service fees at some amphitheaters, plus some new ticket-selling options for promoters and venues — potentially allowing, but not requiring, them to open doors to Ticketmaster competitors such as SeatGeek or AXS. But the settlement doesn’t force Live Nation to split from Ticketmaster.

A handful of the states joined the settlement. But 34 pressed ahead with the trial, saying the federal government hadn’t gotten enough concessions from Live Nation.

The trial brought Live Nation CEO Michael Rapino to the witness stand, where he was questioned about matters including the company’s Taylor Swift ticket debacle in 2022. Rapino blamed a cyberattack.

The proceedings also aired a Live Nation executive’s internal messages declaring some prices “outrageous,” calling customers “so stupid” and boasting that the company was “robbing them blind, baby.” The executive, Benjamin Baker, apologetically testified that the messages were “very immature and unacceptable.”

Staff writer Jesse Bunch contributed to this article.