LOS ANGELES - If Hollywood had a leading-man factory, Garrett Hedlund would be forged from its golden-boy mold. It's the template that produces the kind of easy-on-the-eyes, blond-haired, blue-eyed actors like Robert Redford and Brad Pitt who seem genetically predestined for roles throwing footballs, wearing cowboy hats and curling the leading lady's toes.
Hedlund has done all that in his eight years in Los Angeles, but as far as Hollywood is concerned, he is just arriving. In the last month, he's starred in a Disney tent pole ("Tron: Legacy"), crooned opposite Gwyneth Paltrow ("Country Strong") and is about to be onscreen as a lead in an iconic indie adaptation (Walter Salles' "On the Road"). For this Midwestern farm boy, it's been a brisk and unlikely journey.
Hedlund, 26, grew up on a 400-acre cattle ranch 25 miles outside Rouseau, Minn., population 2,500. "I had to jump on the tractor and do my chores," he said of his childhood. "I would have just killed to be in town, to be able to rollerblade hand-in-hand with somebody I had a crush on. I just wanted to get off the farm, to find my outlet."
His outlet, he determined quite early, would be Hollywood. Getting here was the tricky part. Hedlund copied studio addresses off the back of VHS tapes and mailed letters asking to be in the movies. At 14, when he moved to Scottsdale, Ariz., he began hanging out at the local Borders bookstore, scouring Variety and reading books by talent manager and producer Bernie Brillstein.
As a teenager, Hedlund called Brillstein's office regularly. "I'd say, 'I'm an aspiring actor seeking representation. Would you sit down with me?' Of course, I never got a call back." (A few years ago, Hedlund was picked up as a client by Brillstein Entertainment Partners. Shortly before Brillstein died in 2008, Hedlund attended one of his book signings and introduced himself. "Bernie said, 'Now that you're my client, I might start answering your calls,' " Hedlund recalled.)
Hedlund speaks in a soft baritone, and with an earnestness that seems out of place at the Beverly Hills power lunch spot where he's being interviewed. He tends to coin his own words, like "partialize" and "subtextualize," and winces and suggests moving seats when a deal broker at the next table yells into his cellphone, "Alan, you're a true mogul!"
During high school, Hedlund took acting classes, modeled for L.L. Bean catalogs and Teen magazine, and doubled-up on coursework so that he could finish early and move to Los Angeles. He was, thanks to an English teacher who took an interest in his writing, also cultivating a love for reading that included Jack Kerouac and Tennessee Williams.
Eventually, he secured an agent and manager, and by the time his classmates were getting ready for senior prom, Hedlund was in Malta, filming his first movie part as Pitt's cousin in "Troy." Other acting work quickly followed - a Texas high-school football player in "Friday Night Lights," one of John Singleton's "Four Brothers," a supporting part in the fantasy "Eragon."
In 2007, Brazilian director Salles cast Hedlund as beat character Dean Moriarty in a long-gestating adaptation of Kerouac's "On the Road." Hedlund, thrilled to earn a serious, artistic, leading role that relied on his vulnerability as much as his physicality, swore to Salles that he would take no other part until "On the Road" got off the ground.
In a reflection either of his naivete about the fragility of independent-film financing or his commitment to Salles - or both - Hedlund didn't work for the next two years. While waiting for financing for "On the Road" to come together, he spent his time reading everything he could find on the Beat Generation.
By the time he auditioned to play Jeff Bridges' son in "Tron," in the fall of 2008, Hedlund was taking change to Coinstar machines to get gas money.
"Physically and demeanor-wise, we needed someone who could credibly stand against Jeff Bridges," said Sean Bailey, Disney's president of production and "Tron's" producer. "We wanted a classic leading man, but the character we were casting had grown up with some complicated issues, had a certain stoicism and a quiet confidence, and also athleticism. It's a hard combination to find."
Bailey and "Tron" director Joseph Kosinski felt that they had found that combination in Hedlund, but there was a wrinkle. "He was so creatively committed to 'On the Road,' " Bailey said.
The scope of the opportunity helped Hedlund overcome his reluctance, and he put the beat world on the shelf for a digital one.