LEAN, MUSCULAR and on the money, "The Last Days on Mars" takes a familiar story and tells it so tautly that we are pleased to be on board.
The debut feature for Los Angeles-based Irish filmmaker Ruairi Robinson and written by Clive Dawson (adapting the short story "The Animators" by British science fiction writer Sydney J. Bounds), "Mars" has its own take on a narrative that has points in common with Ridley Scott's "Prometheus" as well as Sebastian Cordero's well-received "The Europa Report."
The film is set during the last 19 hours of an early manned mission to Mars, and the Aurora 2's nine crew members are barely holding it together and eager to be on the way home.
Driven and tactless scientist Kim Aldrich (an expert Olivia Williams) is cranky about having to leave without making a major discovery, while chief systems officer Vincent Campbell (Liev Schreiber), the mission's go-to guy, and his comrade-in-arms Rebecca Lane (Romola Garai) just want these final hours to go smoothly.
Kim's scientific rival Marko Petrovich (Goran Kostic), however, has other ideas. He persuades the mission's easily manipulated captain, Charles Brunel (Elias Koteas), to let him leave the base for one more look around.
It doesn't take long for all these folks and everyone else on the mission, including the ship's psychologist (Johnny Harris) and two lower-ranking folks (Tom Cullen, Yusra Warsama), to regret that decision.
For what Petrovich discovers on his jaunt is an unexpectedly virulent form of bacterial life. These bacteria turn out to have the nasty habit of turning crew members into monstrous and violent (is there any other kind?) zombie-like individuals.
Because it is a zombie film after all, "The Last Days on Mars" has the blood, horror and grotesqueness the genre demands, but it also has unexpected elements that attracted the strong actors in its cast.
For one thing, screenwriter Dawson has seen to it that the crew members and their interactions, the ways they get along and get on one another's nerves, are more naturalistic and dramatically involving than usual. Those interactions come down to a key quote from one member of the crew: "People don't really change. Put them under enough pressure and you find out who they are." And how.
Robinson is expert at creating that pressure. Working with editor Peter Lambert and composer Max Richter, he ratchets up tension as the dwindling crew members play cat and mouse games with those zombies, trying desperately to stay one step ahead of the undead.
"The Last Days on Mars" is also a fine example, as "The Europa Report" was before it, of creating science fiction/horror on a budget. Using the bleak deserts of Jordan to stand in for Mars and doing a chunk of its special-effects work in Ireland, the Red Planet has rarely looked so convincing or so menacing.