When he was aged and mostly housebound, the late Andre Previn told me, “A day without music is a day wasted.”
Musicians from Philadelphia to Portland to Paris to Prague have gotten behind that idea in ways that are as unprecedented as the virus pandemic now underway, with virtual concerts popping up from all over the world. Musicians from the Budapest Festival Orchestra have already started a series of chamber music concerts, the “Quarantine Soirees,” that are being webcast every few days.
As conductor Simon Rattle said during a March 12 webcast by the Berlin Philharmonic, “if we are all … going to get used to living more separately than we have for a while, we’re going to need music more than ever.”
The numbers back him up: The Philadelphia Orchestra’s March 12 BeethovenNOW webcast and subsequent YouTube video has reportedly drawn viewership around 300,000.
Even something as niche-y as Tchaikovsky’s unaccompanied choral work Divine Liturgy, sung by Cappella Romana in Portland, Ore., had a reach of 92,704. “There were people from Taiwan to Singapore to Boise — and they were saying hello to one another,” said operations manager Julia Sheridan.
On March 16, the Metropolitan Opera began a special series of nightly webcasts from its vast video library (posted daily at metopera.org). The opening installment, Carmen, conducted by Yannick Nézet-Séguin, was so popular that tens of thousands of viewers — “unprecedented traffic” according to Met chief Peter Gelb — reportedly broke the website temporarily. (The Met, which on Thursday canceled the rest of its season, now recommends using its Met Opera On Demand apps to tune in, if you can.)
Such snafus aren’t unusual when so much is being assembled so quickly, even spontaneously, such as the amateur videos from Italy with people playing music to each other — singing, leaning out of windows, and sometimes accompanied by barking dogs.
The classical music world has never moved so quickly. With only a camera phone and a laptop, opera star Joyce DiDonato put together her own March 15 transmission from home (complete with New York City sirens in the background). In it, she and tenor Pitor Beczala sang excerpts from Werther — the opera that they would’ve opened at the Metropolitan Opera the following day had the house not been shuttered.
Reaction was extravagant. By my own count, there were three comments per second.
The whole thing was so charming, personal, and rough around the edges I’m sure I’ll be returning to it even after the health crisis is over. The home/studio acoustics were less than flattering, but it’s the feelings that count.
DiDonato also brought up a difficult point that has gathered steam over the days: Many artists aren’t being paid for canceled concerts. She suggested donating to the Artist Relief Tree (artistrelieftree.com).
That’s a very real problem for Philadelphia’s Grammy-winning Crossing choir, which has moved from presenting its own concerts at Presbyterian Church at Chestnut Hill to being presented by the Annenberg Center and Carnegie Hall.
“Those institutions are very keen to reschedule — we just don’t know when things will be up and running,” said founder/director Donald Nally in an email. “We’ve made some arrangements to help singers in need, though no one has asked yet. I hope they will.”
As “new normals” go, our current situation is radical, and changing by the hour and even the minute — not just by the day.
On March 12, the Philadelphia Orchestra was criticized for congregating long enough to stream its Beethoven concert. Now, gatherings of that size are forbidden. An empty-theater taping now being promoted of Massenet’s Manon at the Paris Opera may seem like an event from another era when it airs free on Medici TV starting March 25.
Many concert halls are going beyond the empty stage: They’re being locked up for now. So it’s somewhat remarkable that Philadelphia pianist Jonathan Biss will be making a live-stream recital of Beethoven’s last three sonatas on March 26 from New York’s 92nd Street Y.
In darker moments, I’m haunted by a post-nuclear-war play I saw years ago (can’t recall the title) where the dying denizens of a TV station posted an endless loop of I Love Lucy reruns before expiring. Well, I can be safely haunted by that, since it won’t happen — there’s so much more than Lucy out there now.
Here are some other virtual performances I’ve been counting on to get me through whatever comes next. The choices are based partly on personal taste, and partly on a reasonable amount of certainty that they can be accessed and won’t be canceled (as some events have in recent days).