Skip to content

The people and style of Odunde

Scene Through the Lens with photographer Tom Gralish.
Mural artist Shaun Durbin adds a portrait of Iymaan (that’s with an “I” eye) Muhammad to his painting-in-progress at the Odunde Festival Sunday June 14, 2026. Billed as the largest African street market in North America, festival-goers are known for their stylish clothing. Durbin met Muhammad in South Philadelphia on Saturday and asked her, “would you be my muse?”Read moreTom Gralish / Staff Photographer

The Odunde Festival began in 1975 as a community event in South Philadelphia inspired by Yoruba traditions from Nigeria. It has since grown into one of the largest Black cultural festivals in North America.

“Odunde”is often translated as “the celebration has arrived.” The festival is rooted in the Yoruba New Year celebration and honors African heritage, history, and spirituality.

As a photographer working a Sunday-to-Thursday shift for decades, I’ve covered this and many other Sunday ethnic, religious, historic, and cultural festivals — always with a street-photographer vibe.

When I was assigned to photograph stylish clothing last Sunday — festivalgoers are known for expressing their cultural identity, heritage, and pride through fashion — I saw it as fun challenge to work outside my comfort zone and channel a bit of Philly influencer Big Rube or Humans of New York creator Brandon Stanton.

Something I am always asked when speaking to camera clubs or groups of amateurs photographers is: “Do you have to ask people permission to take their picture?” Others ask, “Do you need to get their names?” The most consistent question, though, is: “How do you approach people you don’t even know?”

I am not an extrovert, but early on I realized that “hiding” behind my camera gave me the confidence to meet and build rapport with strangers.

After years of doing it, talking to people has never been a concern. But using a flash outdoors to fill in shadows while also worrying about visual variety — different ages, genders, couples, individuals, and backgrounds — was not the way I usually work.

I think it turned out OK, and I look forward to trying something similar with my visual coverage of the many events ahead this summer. Bring on the World Cup, America 250, the All-Star Game, and everything else.

Since 1998 a black-and-white photo has appeared every Monday in staff photographer Tom Gralish’s “Scene Through the Lens” photo column in the print editions of The Inquirer’s local news section. Here are the most recent, in color: