Shoppers visited the Italian Market on Sunday to find that a major change had come to the storied South Philadelphia row of butchers, cheese-mongers and veggie stalls: The three-story visage of former Mayor Frank Rizzo that had long stared down the street from one of its busiest corners was gone.

“It was such an assault on the eyes,” Susan DiPronio, 70, said of the mural of the former mayor and police commissioner, which had been all but painted over as dawn broke hours earlier.

Around her, shoppers and dog walkers stopped to snap photos of the wall that had once depicted an exhausted-looking Rizzo in a gray suit with the South Ninth Street market in the background.

The only bit of the mural that remained visible was a painted “two-hour parking” sign that had been part of the market streetscape background. That section had been too close to a live electrical line for painters to approach, a Mural Arts Philadelphia spokesperson said.

“It was a horrible mural; he was a horrible person,” DiPronio, who works for a food wholesaler, said as she sipped a coffee from Gleaner’s Cafe across the street. “My eyes feel at peace now.”

The 25-year-old mural had been painted over as a national outcry over racial injustices and the killing of George Floyd renewed calls locally to stop glorifying the legacy of a mayor known for his aggressive treatment of the city’s black and gay communities.

A crew from Mural Arts paints over the Frank Rizzo mural on Ninth Street.
DAVID MAIALETTI / Staff Photographer
A crew from Mural Arts paints over the Frank Rizzo mural on Ninth Street.

The mural’s removal came four days after the controversial nine-foot Rizzo statue was hauled away from the Municipal Services Building in Center City, where it became a focal point of protests. Before the massive bronze statue was taken down, protesters defaced it, attempted to set it ablaze, and tried to topple it themselves.

Shortly after the statue’s removal, Mural Arts Philadelphia said it would “cease all involvement” with the Rizzo mural.

“We know that the removal of this mural does not erase painful memories and are deeply apologetic for the amount of grief it has caused,” the group said in a statement Sunday morning, as its crews covered over the artwork with tan paint. “We believe this is a step in the right direction and hope to aid in healing our city through the power of thoughtful and inclusive public art.”

Italian Market merchants and property owners said in a statement last week that what replaces the Rizzo image will be something that “better represents the fabric” of the area.

“We agree it is time to replace this long-standing piece of art to begin to heal the black community, the LGBTQ community and many others,” they said.

Janet Anastasi, an owner of Anastasi Seafood at Ninth Street and Washington Avenue, said after the mural came down Sunday that she had long been working in its shadow without giving adequate thought to Rizzo’s legacy for members of the city’s disenfranchised communities.

She said she was grateful for the outpouring of frustration that led to its removal because it forced her to confront that legacy.

“I’m enlightened,” Anastasi said. “I think we all are.”

Other shopkeepers and street vendors who were asked about the mural’s removal said they had spent the morning concentrating on work and hadn’t noticed the change.

Larry Fein, 52, who was shopping at a flavored-popcorn stall, said some merchants he’d spoken to had wanted the mural to remain, but “they just weren’t loud enough.”

Still, he said, “I hope that people who were offended by it find some peace."

Michaela O’Connell, 23, a professional dog walker who recently moved into the neighborhood from New York, said she understood that Rizzo still had some fans, but that even they probably understood it was time for the mural to come down.

“Even people who grew up with him and saw some of the positive things he accomplished, I think they also realize he caused a lot of pain in certain communities,” she said. “He became a symbol of oppression.”

Gloria Coles, who was waiting in a line meant to limit crowding inside Cannuli’s meat shop as a coronavirus-fighting precaution, said she was glad to see the mural gone.

“He was racist. He was corrupt as hell,” the 57-year-old said of Rizzo’s approach to policing the city. “They should put Obama up there.”

Staff writer Michael Klein contributed to this article.