Art Commission approves plan to move Rocky statue to top of Art Museum steps
Since 2006, the statue has sat at the base of the museum’s steps.

Yo Adrian, they did it.
The city’s famed Rocky statue has been cleared for installation atop the Philadelphia Art Museum’s iconic steps later this year following an Art Commission vote Wednesday. Four commissioners voted to approve the move, while one disapproved and one abstained.
With final approval granted, Creative Philadelphia, the city’s office for the creative sector, can move forward with its recently proposed plan to once again place the statue in one of the city’s most prominent locations. Since 2006, the statue has sat at the base of the museum’s steps, attracting an estimated 4 million visitors per year, agency officials have said.
“I think people come not because they’re told to — they come because it already belongs to them, and that kind of cultural legitimacy cannot be manufactured,” said commissioner Rebecca Segall at Wednesday’s meeting. “And by that measure, I believe it’s one of Philadelphia’s most meaningful monuments, and I believe we should just get him out of the bushes and put him up top.”
Now, Philly’s original Rocky statue — commissioned by Sylvester Stallone for 1982’s Rocky III and used in the film — will do just that sometime in the fall, per Creative Philadelphia’s plan. Its move to the top of the steps will come following its exhibition in “Rising Up: Rocky and the Making of Monuments,” an Art Museum program slated to run from April to August that will see the statue displayed inside the museum building for the first time.
Meanwhile, the Rocky statue that currently stands at the top of the Art Museum’s steps — which Stallone lent to the city for the inaugural RockyFest in December 2024 — will remain on display outside. Once the exhibit concludes, that statue will go back into Stallone’s private collection.
Another statue will be installed at the bottom of the Art Museum’s steps, though what statue that will be has not yet been determined. Last month, chief cultural officer Valerie V. Gay said the spot would not be filled with another Rocky statue, leaving Philadelphia with sculptures of the Italian Stallion at both the top of the Art Museum steps, and in Terminal A-West of Philadelphia International Airport.
As part of the original statue’s installation in the fall, Creative Philadelphia plans to develop a shuttle service for visitors with mobility limitations that will take passengers from the bottom of the steps to the top. The service, referred to as the “Rocky Shuttle,” will be run by the Philadelphia Visitor Center, and will operate similarly to the Philly Phlash bus service, which arrives at 15-minute intervals, Creative Philadelphia officials said.
Additionally, the statue will be placed on a pedestal roughly 14 feet back from the edge of the top step, next to where a small installation depicting Rocky’s shoe prints is currently embedded in the museum’s stone walkway, Marguerite Anglin, the city’s public art director, said Wednesday. The project has a budget of $150,000 to $250,000, though final costs were not available, she added. In its proposal last month, Creative Philadelphia indicated the project would cost about $150,000.
Wednesday’s vote came following about an hour of discussion, during which some Art Commission members raised concerns over whether moving the statue would strengthen the relationship Philadelphians have with art or increase attendance at the museum. Commissioner Pepón Osorio said many visitors have indicated they were coming to see the statue because it represents Rocky, and not because it is a work of art.
“I don’t think that people see it as a work of art,” he said. “People see it as an iconic structure.”
Debate over the statue’s merits has been going on since before it first arrived in town for the filming of Rocky III in 1981. In 1980, local artist and then-Art Commission member Joseph Brown referred to the statue as “unnecessarily strident,” and indicated the Rocky franchise didn’t lend any particular cachet to Philadelphia’s cultural standing. Inquirer columnist Tom Fox, meanwhile, in 1982 called the statue a “monument to schlock, chutzpah, and mediocrity.”
» READ MORE: The display of the Rocky statue has been controversial for decades
Public opinion has also been divided. In a September Inquirer poll, 46% of respondents said no Rocky statue belongs at the top of the steps, but the one at the bottom should stay. Roughly 20% said the city should not have a Rocky statue at all.
Now, however, with the installation plan approved, it appears the debate can continue with Rocky once again atop the Art Museum’s steps. As part of approval, Creative Philadelphia agreed to undertake community engagement efforts examining the public’s interpretation of the statue.
“This really isn’t, for us, about getting the statue up there and then we move on,” Gay said. “This really opens the door to how public art can be used in civic discourse, in the ethos of our city right now, to think about both contemporary [times] and the past, as well as how we think about the future.”