Art exhibits in Philadelphia to keep Hispanic Heritage Month going for the rest of the year
Here are three free exhibits, focusing on a range of topics, from folk traditions, migration experiences and community building to expressions of Afro-Caribbean roots, respect for the natural environment and spiritual awakening.
Osain, in resin polymer, wire, oil and acrylic paint, from the opening reception of 'Portales' by Samuel Lind at Taller Puertorriqueño.Read moreJesenia De Moya Correa
Hispanic Heritage Month ends next week, but art exhibits around the city will continue to celebrate Hispanic, Latino, and Latinx communities’ heritage until at least the end of the year.
Here are three free exhibits, on topics ranging from folk traditions, migration experiences, and community building to expressions of Afro-Caribbean roots, respect for the natural environment, and spiritual awakening.
Visitors can enjoy 'Los trompos' and 'Look up! Look In.' for free, open until November 17, 2019, from 10 a.m. to 6 p.m. daily at the Kimmel Center's Commonwealth Plaza.Read moreCourtesy of the Kimmel Center
Visitors enjoy 'Los trompos,' interactive installation of ten spinning tops, decorated with a traditional fabric weave in varied shapes and colors, where one can sit and spin on the 3D sculptures, created by Mexican designers Héctor Esrawe and Ignacio Cadena.Read moreCourtesy of the Kimmel Center
Visitors enjoy 'Los trompos,' interactive installation of ten spinning tops, decorated with a traditional fabric weave in varied shapes and colors, where one can sit and spin on the 3D sculptures, created by Mexican designers Héctor Esrawe and Ignacio Cadena.Read moreCourtesy of the Kimmel Center
'Look Up! Look In' by Mexican-American, Philadelphia-based artist Karina Puente is an installation of 53 hand-cut panels in the papel picado technique, suspended above the Commonwealth Plaza.Read moreCourtesy of the Kimmel Center
Visitors can enjoy 'Los trompos' and 'Look up! Look In.' for free, open until November 17, 2019, from 10 a.m. to 6 p.m. daily at the Kimmel Center's Commonwealth Plaza.Read moreCourtesy of the Kimmel Center
Twisting and turning
Two installations by Mexican artists in the Kimmel Center’s Commonwealth Plaza have visitors twisting and turning.
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One, called “Los trompos” (the spinning tops, in English), is an interactive, kid-friendly installation of 10 sculptures, some up to 9 feet tall, woven in traditional fabric and made for people to sit inside and spin.
“Only through this interaction and collaboration will the work come to life and be complete,” said Ignacio Cadena, who designed the sculptures with Héctor Esrawe.
The second installation, “Look Up! Look In,” was created by Philly-based Mexican-American artist Karina Puente, who designed 53 hand-cut papel picado (or “perforated paper”) panels. The installations, between 5 and 12 feet wide, are suspended above the plaza.
Open 10 a.m. to 6 p.m., daily,until Nov. 17, at the Kimmel Center, 300 S. Broad St.
Osain, espíritu del bosque africano --Spirit of the African Forest, as a maquette in resin polymer, wire, oil and acrylic paint, from the opening reception of 'Portales' by Samuel Lind at Taller Puertorriqueño on Friday, October 4, 2019.Read moreJesenia De Moya Correa
Woman Earth, an altar installation and oil on linen, from the opening reception of 'Portales' by Samuel Lind at Taller Puertorriqueño on Friday, October 4, 2019.Read moreJesenia De Moya Correa
Ancestral Meditation, a bronze sculpture, from the opening reception of 'Portales' by Samuel Lind at Taller Puertorriqueño on Friday, October 4, 2019.Read moreJesenia De Moya Correa
Jesús de Loíza Aldea, in oil on reclaimed board, from the opening reception of 'Portales' by Samuel Lind at Taller Puertorriqueño on Friday, October 4, 2019.Read moreJesenia De Moya Correa
Bailarina de bomba, a triptych in oil on canvas, where Diana Sabater has her picture taken by Zeli Colón during the opening reception of 'Portales' by Samuel Lind at Taller Puertorriqueño on Friday, October 4, 2019.Read moreJesenia De Moya Correa
Spirits and nature
This is the first time artist and activist Samuel Lind has presented his work in Philadelphia in a solo exhibit. “Portales” — “Portals,” in English — emphasizes the deep connections between individuals and their natural environments, and the spiritual representations that challenge religious norms and practices officially observed in Latino Caribbean countries.
The Puerto Rican visual artist brought 22 paintings, sculptures, silkscreen prints, and installations from his personal collection and studio in the afro-boricua coastal town of Loíza. Philly Puerto Rican artist José Antonio Ortiz Pagán curated the “Portales” exhibit.
“Each work has a mission, transmits something, and one feels honored to see how the meaning changes when these pieces leave the studio, arrive here and people receive what they bring, what one brings,” said Samuel Lind, 66.
Open 10 a.m. to 6 p.m., Mondays through Saturdays, until Jan. 11, at Taller Puertorriqueño, 2600 N. Fifth St.
Hummingbird-Alebrije, was created in 2017 by 70 CCATE members, reflecting on how hummingbirds transport people's wishes to the gods in the sacred Maya book, the Popol Vuh. This piece, containing more than 250 hand-painted feathers, represents the spirit of immigrants, who carry the dreams of others and their own, moving in all possible directions. From the opening reception of 'El difícil arte de migrar' at the Annenberg Center on Wednesday, October 2, 2019.Read moreJesenia De Moya Correa
Inspired in the short story 'The Railroad Switcher,' CCATE's reading circle and painting class work together to create this mural called 'Mexico's Social Movements,' that portrays these historic moments through trains and wagons. This piece was commissioned by Villanova University and is part of its permanent collection. From the opening reception of 'El difícil arte de migrar' at the Annenberg Center on Wednesday, October 2, 2019.Read moreJesenia De Moya Correa
La Lotería is a 3D piñata created in 2017 by 60 members of the CCATE community, by using the cubism concept and reused materials. From the opening reception of 'El difícil arte de migrar' at the Annenberg Center on Wednesday, October 2, 2019.Read moreJesenia De Moya Correa
During the summer, members of the theater and art group wrote and produced a play called 'The Journey: Heading North,' inspired in the book 'Pancho Rabbit and the Coyote: A Migrant's Tale,' that tells the story of border-crossing through the eyes of a family of Mexican birds.This is scene 5, when a family of Mexican reaches the border and sees a scorpion on the other side, ready to attack. From the opening reception of 'El difícil arte de migrar' at the Annenberg Center on Wednesday, October 2, 2019.Read moreJesenia De Moya Correa
Based on the book 'The Ancient Mexicans,' the mural called 'The Road of Quetzacoatl' depicts the five indigenous cultures that lived in Mesoamerica predating Mexico. From the opening reception of 'El difícil arte de migrar' at the Annenberg Center on Wednesday, October 2, 2019.Read moreJesenia De Moya Correa
Documenting migrations
“El difícil arte de migrar,” translated to “The difficult art of migration,” showcases 150 works that capture the memories, joys and struggles that members of the Latinos communities in Norristown have experienced in journeys from Mexico and Central America. Produced by the members of the Centro de Cultura, Arte, Trabajo y Educación (CCATE) — an arts and education nonprofit in Norristown — the work also documents the life of these migrants once living here.
“Most people, when they think of immigrant art, they think of folk art, mariachi, and Day of the Dead. While these traditions are important, the underlying expectation is extremely limiting," said CCATE director Obed Arango, who cocurated the exhibit with CCATE education professor Holly Link.
The exhibit — which includes oleos, pastel, and acrylics paintings, photography, ceramics, piñatas, and papier maché sculptures — was created during the past seven years.
Open from 10 a.m. to 5 p.m., Mondays through Fridays, and noon to 5 p.m., Saturdays, until Jan. 28, at the Annenberg Center for Performing Arts at the University of Pennsylvania, 3680 Walnut St.