The OY/YO statue is coming back
This week’s Scene Through the Lens with Inquirer photographer Tom Gralish.
I recently visited my favorite piece of Philly public art, at my favorite New Jersey sculpture garden.
No longer at its home outside the Weitzman National Museum of American Jewish History on the corner of Fifth and Market Streets, the bright “Lamborghini yellow” sculpture that then-curator Josh Perelman called “an ongoing love letter to the city,” had gone away for some R & R — removal and refurbishment.
Installed in 2022, the work by Brooklyn, N.Y.-based artist Deborah Kass quickly became one of our city’s most selfied spots — right up there with that bell just across Independence Mall.
It was only supposed to be here a year, but it stayed around (although the museum is hopeful, it’s still not officially permanent).
After years on the busy corner (and all those field-tripping middle-schoolers climbing on it) the museum scheduled a removal in May of the eight foot tall Y and O letters for freshening up, planned to coincide with the continuing construction along Market Street through Old City.
Knowing my feelings for their sculpture, the folks at the museum invited me to photograph the refurbishment.
The letters did not require extensive work, and the aluminum was treated not unlike body work on a car: removing dents, priming, painting and leaving a durable finish.
At the Johnson Atelier, a facility established by Seward Johnson in 1974 to give artists greater involvement in the production of their work, I was not allowed to photograph from any angle that showed any other art works in the background. And there were plenty (sigh), like an eight-foot tall metal hand sitting on the floor, right across from the “Y” (I had to sign an NDA).
Adding to the lack of visual variety, the letters went into the painting booth one at a time, so I couldn’t make a picture of them in the same frame. And I could only see the workers in the booth from outside - through a couple of windows. But that is exactly the kind of photographic challenge I most enjoy.
Now, after a few months the two giant letters are both as good as new and are scheduled to be reinstalled this Saturday.
Weitzman president and CEO Dan Tadmor, looking forward to its return to their corner heading into the nation’s 250th says, “Deborah Kass’s OY/YO celebrates the spirit of a city that’s always spoken in its own voice: bold, funny, and full of heart.”
Since 1998 a black-and-white photo has appeared every Monday in staff photographer Tom Gralish’s “Scene Through the Lens” photo column in the print editions of The Inquirer’s local news section. Here are the most recent, in color: