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Finding remarkable moments in unremarkable mornings

Scene Through the Lens with photographer Tom Gralish.
Bob Myers, president of Harris Blitzer Sports & Entertainment, owner/operator of the 76ers and the NHL’s New Jersey Devils, as well as a future Philadelphia WNBA team, talks to reporters after Mike Gansey made his first appearance as Sixers president of basketball operations.Read moreTom Gralish / Staff Photographer

I won’t be photographing any of the FIFA World Cup games here, but I did make The Inquirer’s sports photos Big Picture gallery for the second week in a row.

And again, my inclusion is not a traditional action photo. It’s from a press conference and the subject — Sixers new president of basketball operations Mike Gansey — isn’t even the focus of the image.

I also photographed him posing with team executives, holding a basketball, then a Sixers jersey, followed by his comments and Q & A with reporters, but I was more interested in the periphery, and stayed around after it was over — and most of the media left for more comments downstairs by the other executives (the featured image at the top).

Later in the week in Center City, I passed a youngster in full graduation cap and gown. I often play the role of street photographer so I walked behind them for a block.

If I were not a curious journalist I would’ve moved on, but I said hello and introduced myself as we walked together. Lynnette Lucas was taking her granddaughter Faith Green, 6, for a special lunch after her kindergarten graduation at Mastery Charter School. Lucas takes all her grandchildren to the Chili’s near the Convention Center for celebratory meals where the staff treats them well, especially server Tevin Jones. Faith was headed to a party with the rest of her family, with cake and ice cream later in the day. I switched from street photographer back to visual journalist and headed to my next assignment.

There are different definitions for street photography, but I always like what William Eggleston said: “Often people ask what I’m photographing, which is a hard question to answer. And the best what I’ve come up with is I just say: life today.”

Which brings me to my good friend and Inquirer photo colleague Alejandro A. Alvarez. Starting today Philadelphia will wake up differently. For decades, before the coffee shops unlocked their doors and the metal roll-up shutters were opened on newsstands Alex was already there. A street photographer who chases the morning light, Alex retired from the newspaper yesterday, almost exactly 38 years — Monday, June 13, 1988 — after he first stepped into a newsroom as a full-time newspaper staff photographer, at the Wilkes-Barre Times Leader.

That is not to say he won’t still be there with his camera, waiting for the sun to rise and bathe the sidewalks and neighborhoods with the day’s first warm light. He describes himself as a “professional wanderer about town, documenting the people and places I see.”

And I will probably see a lot more of him now as he will have more time for the street photography he most enjoys.

Readers — and his editors — will miss his breaking news coverage, as he will no longer be checking the news websites, apps, and tips from sources before heading out pre-dawn to visually report on the aftermath of overnight shootings, fires, or accidents. He usually filed his news photos before the reporters even turned on their computers.

The way he sees the city however, will endure and readers will still see his work, whenever Inquirer.com or the Inquirer or Daily News needs a photo to illustrate a story about SEPTA, or pedestrians and city workers, bikers and joggers and dog walkers — in all kinds of weather, they will tap into the admirable archive of his images in our digital library.

At The Inquirer, Alex photographed protests and elections; changes in the seasons and weather; parades, celebrations and memorial; kings and criminals. Yet his most memorable images came from those seemingly unremarkable mornings.

Since 1998 a black-and-white photo has appeared every Monday in staff photographer Tom Gralish’s “Scene Through the Lens” photo column in the print editions of The Inquirer’s local news section. Here are the most recent, in color: