Documenting the President’s House saga
Scene Through the Lens with photographer Tom Gralish.
The brief confrontation came this week in front of the empty frames where visitors had been taping informal signs to fill the void where the original panels hung at the President’s House, after President Donald Trump’s administration removed the slavery exhibits last month.
Glenn Bergman and his wife Dianne Manning were just arriving at the Avenging the Ancestors Coalition’s annual Presidents’ Day observance. They had earlier attended the weekly ICE vigil a few blocks away. Bystanders yelled at the woman to stop as she declared it was her “First Amendment right” while tearing off the notes.
Bergman stepped in to block her, saying later, he “had to do something.” After a few seconds everyone stepped away, accusing her of “littering.”
She grabbed the papers off the ground and left abruptly, shouting “George Washington made this country great... for white people.”
The entire interaction lasted less than three minutes — and unfolded right on the other side of the wall from where the main advocacy organization leading the fight to protect the President’s House was gathered.
As the week of Presidents’ Day ends, I’m moving that presidential apostrophe back a letter and remembering my time photographing at the President’s House.
It is almost a year since our current President signed Executive Order #14253, titled “Restoring Truth and Sanity to American History,” on Mar. 27, 2025.
In addition to requiring the Secretary of the Interior to develop a plan to improve Independence National Historical Park in preparation for our 250th birthday, he directed National Park Service staff to identify language and historical depictions that “inappropriately disparage Americans past or living.”
In May, Interior Secretary Doug Burgum issued an order that signs be posted in all National Park asking employees and visitors to report any negative information.
In July, President Donald Trump’s administration started taking steps to review or remove materials key to understanding the history of race in America.
But it didn’t happen until last month.
I was on another assignment nearby when the newspaper received a tip workers were on the site “with tape measures.”
They weren’t talking to our reporter, already on the site, when I arrived to find park service workers indeed examining the panels. So I just assumed if they would be dismantling the exhibits it would happen in the middle of the night — like when the statue of former Mayor Frank Rizzo was “disappeared” and his Italian Market mural was erased under cover of darkness in 2020.
I made a few photos then left to edit and upload, only to get a text, “it’s happening now.”
It was awkward as the workers asked me to “give us a break,” while I hovered around — not right on top of them — watching every move. I replied we were both doing our jobs.
It wasn’t long before other news media arrived, and I continued to document the entire removal. I was joined by photographer Elizabeth Robertson who made a photo from our newsroom overlooking the site. Later that evening, I returned to a much quieter scene.
That wasn’t the end of it. Protests continued...
… and the City of Philadelphia sued the National Park Service and Department of Interior. District Judge Cynthia M. Rufe inspected the removed panels in storage for herself, visited the President’s House site, then ordered the federal government “restore the President’s House Site to its physical status as of January 21, 2026,” which is the day before the exhibits were removed.
Trump administration officials appealed her ruling calling it “unnecessary judicial intervention” and on Presidents’ Day, when Glenn Bergman and Dianne Manning of Mt. Airy were attending the Avenging the Ancestors Coalition rally, Judge Rufe issued an injunction that required the federal agencies to restore the interpretive panels.
So we all waited to see what happened next. The “what’s next?” was two days later the federal judge, citing the agencies’ “failure to comply” set a deadline of 5 p.m. Friday.
A spokesperson for the White House defended their inaction saying removal of the exhibits is not final because the Department of the Interior is “engaged in an ongoing review of our nation’s American history exhibits in accordance with the President’s executive order to eliminate corrosive ideology, restore sanity, and reinstate the truth.”
Upon hearing the news I thought, “Friday is my day off. I will just have to read what my excellent reporting colleagues Fallon Roth, Maggie Prosser, and Abraham Gutman write about it. And live vicariously through the photos by whichever of my photo co-workers gets the assignment.“
I just couldn’t stay away, so I returned to the site early Thursday morning, just to “babysit.”
After about 30 minutes and only seeing two visitors, a park service worker arrived with a 5-gallon Lowe’s plastic blue bucket ($4.95, lid sold separately) and another, plain white plastic pail full of rags. More prep work for Friday, my day off, I figured.
When he returned with a six-foot Little Giant ladder ($255.99, King Kombo), I asked “so you’re not just doing more cleaning, right?”
I alerted my newsdesk, and spent the next six hours there.
Since 1998 a black-and-white photo has appeared every Monday in staff photographer Tom Gralish’s “Scene Through the Lens” photo column in the print editions of The Inquirer’s local news section. Here are the most recent, in color: